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| [°Ñ¦Ò¤åÄm] 6.1 ®ÑÄy¡]Books¡^ 1. Robert L. Solso., 1997, Cognition and the Visual Arts. The MIT Press. 2. ±i«ï§g¡B¤ý¹©»Ê¡B¸¥ß¸Û»P®]¬K±æ½sµÛ¡A1997¡A¬M¹³ÃÀ³N ¡C¥x¥_¿¤¡G°ê¥ßªÅ¤¤¤j¾Ç¡C 3. Rudolf Arnheim¡A1985¡AÃÀ³N»PµøÄ±¤ß²z¾Ç (Art and Visual perception¡Xa psychology of the creative eye)¡C§õªø«TĶ¡C¥x¥_¥«¡G¶¯·à¹Ï®Ñ¤½¥q¡C 4. ±`Ãh¥Í¡A1995¡A«Ø¿vÀô¹Ò¤ß²z¾Ç¡A¥x¥_¥«¡G¥Ð¶é«°¥«¤å¤Æ¨Æ·~¦³¤½¥q¡AP.121-198¡C 5. ÁÚº¸¯÷¡D¤¦«ô¡A1994¡A«Ø¿v³]pì²z¡A®]¦t¥ßĶ¡C¥x¥_¥«¡G¥x¶©®Ñ©±¡C 6. Michael O¡¦Rourke¡A2000¡A3D°Êµe¾Ç²ß¤èªk¡]Principles of three-dimensional computer animation: modeling, rendering, and animating with 3D computer graphics¡^¡AÀ¹¹Å©úĶ¡C¥x¥_¥«¡G¬ü¤u¬ì§Þ¦³¤½¥q¡C 7. Richard S. Wright, Jr. Michael Sweet¡A2000¡AOpenGL¶W¯Å¤â¥U ²Ä¤Gª©¡]OpenGL SuperBible Second Edition¡^¡A¤j·s¸ê°TĶ¡C¥x¥_¥«¡GùÖ®p¸ê°TªÑ¥÷¦³¤½¥q¡C 8. Edward Angel¡A1998¡A¤¬°Ê¦¡¹q¸£Ã¸¹Ï»POpen GL¹ê§@¡]INTERACTIVE COMPUTER GRAPHICS¡GA Top-Down Approach with OpenGL¡^¡A¶À¥[¨ØÄ¶¡C¥x¥_¥«¡G¾§ªL¹Ï®ÑªÑ¥÷¦³ ¤½¥q¡B¦ã}¥Íºû´µ²z¥Xª©¦³¤½¥q¡C 9. Barrie Sherman & Phil Judkins¡A1995¡A¼ÒÀÀ¯u¹ê¡]Glimpses of Heaven, Visions of Hell¡^¡Aª÷¯ªµúĶ¡C¥x¥_¥«¡G®É³ø¤å¤Æ¥Xª©¥ø·~¦³¤½¥q¡C 10. Donald A. Norman¡A1995¡A¤ß¬ì§Þ¡]Things That Make Us Smart¡^¡A¶À½å·©Ä¶¡C¥x¥_ ¥«¡G®É³ø¤å¤Æ¥Xª©¥ø·~¦³¤½¥q¡C 11. ³¯Ãvª@¡A1996¡AEasy to knowµêÀÀ¹ê¹Ò¡C¥x¥_¥«¡G¥þªY¸ê°T¹Ï®ÑªÑ¥÷¦³¤½¥q¡C 12. ªL¬F§»¡A1997¡A²`¤JµêÀÀ¹ê¹ÒVR¡C¥x¥_¥«¡GùÖ®p¸ê°TªÑ¥÷¦³¤½¥q¡C 13. Mark Slouka¡A1998¡AµêÀÀ¤J«I¡Gºô»ÚªÅ¶¡»P¬ì§Þ¹ï²{¹ê¤§½ÄÀ»¡]War of the World: Cyberspace And the High-Tech Assault on Reality¡^¡A±i¸qªFĶ¡C¥x¥_¥«¡G»·¬y¥Xª©¨Æ ·~ªÑ¥÷¦³¤½¥q¡C 14. William J. Mitchell¡A1998¡A¦ì¤¸«°¥«¡]City of Bits: Space, Place, and the Infobahn¡^¡A³¯·ç²MĶ¡C¥x¥_¥«¡G¤Ñ¤U»·¨£¥Xª©ªÑ¥÷¦³¤½¥q¡C 15. Nicholas Negroponte¡A1998¡A¼Æ¦ì²©R¡G011011100101110111¡Kªº¶ø§®¡]Being¡@ Digital¡^¡A»ôYÄõĶ¡C¥x¥_¥«¡G¤Ñ¤U»·¨£¥Xª©ªÑ¥÷¦³¤½¥q¡C 16. ¥[¨Ó¹D¶¯¡A1998¡A¬ï±ô¶W®ÉªÅ¡G¤Q«×ªÅ¶¡¬ì¾Ç©_¯è¡A½²©Ó§Ó¡B¼ï®¦¨åĶ¡C¥x¥_¥«¡G°Ó ·~©P¥Z¥Xª©ªÑ¥÷¦³¤½¥q¡C 17. Margaret Wertheim¡A2000¡AªÅ¶¡¦a¹Ï¡G±q¦ý¤BªºªÅ¶¡¨ìºô¸ôªºªÅ¶¡¡]The Pearly Gates of Cyberspace¡^¡AÁ§µºÄ¶¡C¥x¥_¥«¡G»OÆW°Ó°È¦L®ÑÀ]ªÑ¥÷¦³¤½¥q¡C 18. Jason Wolf, Natalie Zee¡A2001¡A·¥³t²©R¡G¼eÀW¡X¡X¤ÞÃz°Ó·~·s°Ê¯à¡A³Ð³y¥Í¬¡µL ½u«K§Q¡]The Last Mile¡^¡AÂŬüs¡B«¸¨Ø¨qĶ¡C¥x¥_¥«¡GÂÅÄH¥Xª©¦³¤½¥q¡C 19. ½±¾±¡A2001¡AÅ]¤Û•¹F§Q¡]Salvador Dali¡^¡C¥x¥_¥«¡G®É¶g¦h´CÅé¶Ç¼½¤½¥q¡C 20. Gilles Neret¡A1997¡A¹F§Q¡]Dali¡^¡AJ.H.ChengĶ¡C¬ü°ê¡G¯Z¯Ç}§J¡D¶ð´Ë¡] Benedikt Taschen¡^¥Xª©¡C 21. Antonio Pitxot / Josep Playa, 1998, Castell Gala Dali: Casa-Museu Pubol, Translation: Editorial Escudo de Oro. Fundacio Gala-Salvador Dali. 22. Antonio Pitxot / Montse Aguer, 1998, Port Lligat Salvador Dali House- Museum, Translation: Editorial Escudo de Oro. Fundacio Gala-Salvador Dali. 23. J.L.Gimenez-Frontin, 2000,Teatre-Museu Dali, Translation: Anthony John Keily. Fundacio Gala-Salvador Dali. 24. Rizzoli¡A1989¡A¹F§Q¡Gµe¥¬¤WªººëÆF¡A¸d»AâĶ¡C¥x¥_¥«¡G¥_¨°¤å¤ÆªÑ¥÷¦³¤½¥q¡C 25. ¹D®¦¡E¦ã¯÷¡]Dawn Ades¡^¡A1996¡A¹F§Q¡]Dali¡^¡A§f´^Ķ¡Cªø¨F¥«¡G´ò«n¬ü³N¥Xª©ªÀ ¡C 26. Kenneth Wach, 1996, Salvador Dali: masterpieces from the collection of the Salvador Dali museum. New York: Harry N. Abrams. 27. ¤d¨¬¦ù¦æµ¥¡A2001¡ALa muse ¥@¬É³Õª«À]¨µÂ§ C4¡G¹F¥ß¬ü³NÀ]¡Aµ{ªiĶ¡C¥x¥_¥«¡G¤j ¦a¦a²z¤å¤Æ¬ì§Þ¨Æ·~ªÑ¥÷¦³¤½¥q¡C 28. Fiona Macdonald¡A1992¡A·s¦t©zÆ[ªº¶}©ÝªÌ¡G·R¦]´µ©Z¡]Albert Einstein¡^¡A³¯¤T ¤fĶ¡C¥x¥_¥«¡G¤û¹y¥Xª©ªÑ¥÷¦³¤½¥q¡AP.43-45¡C 29. Peter Zellner, 1999, Hybrid Space: new forms in digital architecture. London: Thames & Hudson Ltd. 30. Maia Engeli, 2001, Bits and Space: architecture and computing for physical, virtual, hybrid realms. Switzerlan: Birkhauser. 31. Yu-Tung Liu¡]¼B¨|ªF¡^,1998, Restructuring shapes: design cognition and computation. Proctor Publications.P.15~17. 32. ¶À¦J±e¡A1999¡A¹q¸£¦r¨å¡C¥x¥_¥«¡GºX¼Ð¥Xª©ªÑ¥÷¦³¤½¥q¡C 33. Muse development kit¡A2001¡CMuse corporation¡AVersion 1.0 alpha. 34. 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